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What is Music?
Notes
The Major Scale
Time and tempo


"Time" is a general term used when talking about the time aspect music, as in "Drummers should keep good time".

" Tempo" describes the speed of a piece of music. It is meaured in "beats per second", or BpS.

Metronomes are a good way to practice playing in time. There are many electronic versions available these days. Better still are drum machines. They can be easily programmed to play any rhythm you can imagine and playing along with them will train you ear and hands to keep good time. Also, programming them will give you a very good understanding of how featureless time can be intricately divided and turned into music.

" Phrasing" is a word used to describe how time is manipulated. Singers and instrumentalists often "bend" perfect time as a way of adding emotion to their performance, which is an aspect of something even subtler known as "Feel".

 

Time and tempo

The time element of music is the partner of the sound element. They need each other to become music. I'm afraid my dyslexic brain never managed to come to terms with the conventional notation of 'time'.

The units of time are "beats" and music is divided into "bars" containing beats. The number of beats per bar depends on the composer. This number is set by the 'time signature'. I'll use some graphs to explain, with time flowing >>> left to right >>>.

Most music is written in 4's. Human brains seem to like the repetition of rhythms in groups of 4. Read out loud the numbers below, stressing the 'one' and you'll hear two bars worth of the essence of "Four four" (4/4) Listen to midi

2 3 4 1 2 3 4

Read out loud the two bars below and you'll hear the essence of eighth notes. Listen to midi

1  and 2  and 3  and 4  and 1  and 2  and 3  and 4  and

Read below to hear 12/8 Listen to midi

1 & a 2 & a 3 & a 4 & a 1 & a 2 & a 3 & a 4 & a

And sixteenth notes. Listen to midi

1e & a 2e & a 3e & a 4e & a 1e & a 2e & a 3e & a 4e & a

The second most popular time signature is 3/4, meaning of course 3 beats per bar. This signature is known as a Waltz, and is used in Country and Folk music more than Pop or Rock. Listen to midi

1 2 3 1 2 3

3/4 can be doubled too: Listen to midi

1 and 2 and 3 and 1 and 2 and 3 and

...and tripled: Listen to midi

1 and a 2 and a 3 and a 1 and a 2 and a 3 and a

Generally speaking, chords change with the One of the bar, but again, this is strictly up to the composer. They can change anytime at all but to be able to be enjoyed by the masses, a certain regularity and even predictability must be included. Most people prefer to listen to music they can tap along to. Most of us seem to have a deep-rooted understanding of rhythm, something that goes way back. Strange time signatures thwart that foot-tapping. Symmetry seems to be the prerequisite for that to happen naturally.

An example of an asymmetrical rhythm is 5/4. Here are two bars of "Five four". This is the way I count it when I have to. Listen to midi

 One  Two  Three  One  Two  One  Two  Three  One  Two

Sometimes a piece of music has a passage where rogue bars are thrown in (by the composer) in order to achieve a certain effect. For example, in a 4/4 tune the odd 2/4 bar is added. Often it's done to follow a lyric or grab the attention. This gets trickier to figure out and count, but once you hear it, it becomes straight forward.

The main thing to remember is that underlying every piece of music is a steady regular pulse -- that foot tapping thing -- each unit being one beat. The time aspect of music is also the part that is more difficult to teach. Notes and chords and rules can be learned, but you either have a sense of rhythm or you don't. Fortunately, those born without this gift usually have no interest in music. The fact that you've come to this page site shows that you must have this sense of rhythm and time.

 

 

 

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