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October 7th, 2007
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Blues scale progression vs. standard progression
Hopefully the post won't be more confusing than the thread title. I'm trying to give it another go.
First. Is the scale in standard tuning different from 1st, 4th, and 5th in major scale? This may be why I'm confused.
Example: In E major It's open low E, open A, and 5th string 2nd fret is B.
The way I read it is by standard tuning. That gives me open low E, 5th string fourth fret (C#/D flat), and 5th string 5th fret (D).
What am I missing? 
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October 7th, 2007
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Quote:
Originally Posted by Bluesyzep
First. Is the scale in standard tuning different from 1st, 4th, and 5th in major scale? This may be why I'm confused.
Example: In E major It's open low E, open A, and 5th string 2nd fret is B.
The way I read it is by standard tuning. That gives me open low E, 5th string fourth fret (C#/D flat), and 5th string 5th fret (D).
What am I missing? 
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The example you gave (E,A & B) is the 1st, 4th, & 5th of the scale of E major as they appear in STANDARD tuning.
I've no idea what you mean about the E, C# and D, though.
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October 7th, 2007
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Nope, they are both equally confusing.
The 5th string is open A. Fret it at the second fret and it is a B which is the 5th note in the E chord. The second fret-4th string is the root or E. The third string-first fret is the 3 of the E chord which is a G#.
Standard tuning isn't really considered a scale as far as I know so I am not following your point there.
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October 7th, 2007
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Could you possibly rephrase your question? What is it that you want to know?
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October 7th, 2007
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tthe way I understand it is the progression just refers to the sequence of chords in the song or part.
the numerals indicate witch step or note of the major scale the chord is built on
so in the key of E
I II III IV V VI VII
E F G A B C D
Quote:
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That gives me open low E, 5th string fourth fret (C#/D flat), and 5th string 5th fret (D).
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not sure but you might be cofusing steps in the scale with steps on frets?
"Way over yonder in the minor key"
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October 7th, 2007
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The Key Of E is:
E F# G# A B C# D# E.
Gotta have those sharps in there.
E F G A B C D is the E Phrygian mode which is simply the Key of C beginning on the third note.
Regards,
Monk
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October 7th, 2007
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Also, Arabic numbers are used to represent scale tones.
1 2 3 4 5 6 7
Roman numerals are used for chords. Upper case for major. Lower case for minor.
I ii iii IV V vi vii
Regards,
Monk
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October 7th, 2007
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Quote:
Originally Posted by allthumbs
Nope, they are both equally confusing.
The 5th string is open A. Fret it at the second fret and it is a B which is the 5th note in the E chord. The second fret-4th string is the root or E. The third string-first fret is the 3 of the E chord which is a G#.
Standard tuning isn't really considered a scale as far as I know so I am not following your point there.
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I'm starting to see part of the problem. I'm trying to turn scale degrees into a literal translation of the fretboard. Simply, I'm misinterperating the blues scale. I have enough lesson material in front of me. The answer is here somewhere. Will have to slow the video down and watch closer.
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October 7th, 2007
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Quote:
Originally Posted by kidhaiti
not sure but you might be cofusing steps in the scale with steps on frets?
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I am.
Thanks for all the speedy responses.
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October 7th, 2007
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yeh your right monk I was rushing that a bit
I ii iii IV V vi vii
E F# G# A B C# D#
Hows that. I used numerals because we are talking progression, is that right.
"Way over yonder in the minor key"
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October 7th, 2007
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Quote:
Originally Posted by monk
Also, Arabic numbers are used to represent scale tones.
1 2 3 4 5 6 7
Roman numerals are used for chords. Upper case for major. Lower case for minor.
I ii iii IV V vi vii
Regards,
Monk
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Hmm. Thanks for the tip. 
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October 7th, 2007
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kidhaiti,
The Roman numerals are used to represent the chords.
So, I ii iii IV V vi vii would indicate either:
E F#m G#m A B C#m D#dim or
Emaj7 F#m7 G#m7 Amaj7 B7 C#m7 D#m7b5.
If you refer to E F# G# A B C# D# as the notes of the scale it would be 1 2 3 4 5 6 7.
If you are describing a chord progression such as:
E C#m F#m B7 you would use:
I vi ii V7.
Regards,
Monk
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October 7th, 2007
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Got it. Now I'm onto my next headache. Shuffle rhythem and eighth-note triplets. 
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October 7th, 2007
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Ah! cool, thanks for the clarity brother monk
"Way over yonder in the minor key"
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October 7th, 2007
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Stay positive. Think of it as a challenge rather than a headache.
Regards,
Monk
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