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A neat little trick.
I have been playing around with the chord numbers lately and found an interesting quirk on adding a more interesting chord to progressions.
This is where it gets interesting. Bare with me about this statement. There is a way to get the flavour of a minor chord, at times, while playing it as a major chord.
This is how it works. As you know from the lessons, a minor chord is made up of a 1,b3 and 5. The chord numbers are roman numerals but share many of the characteristics of the note numbers.
You can flatten the III chord to a bIII. If the III chord happens to be a sharp, then you flatten it to a natural. An example is the Key Of E. The III chord is a #G. You flatten that to a G and play it as a major chord. Therefore even though you are playing a major chord, within the Key of E it has the context of a minor chord.
Try it. Instead of playing E,G#,B. Play E,G,B or E,G,A or E,G,A, B etc.
An easier way to demonstrate this would be to play with open strings so play in the Key of C. C,E,G. Now Play the progression as C, bIII or Eb, G. To play the Eb just play E minor on the first fret with the 3 string open. Remember to play only the 5,4,3 strings for the Eb chord though.
Hear how it changes the feel of the progression. Cool huh. You may need to refer to chord charts so that you know what you need to do to the III chord to move it down a half step. I think this is called a parallel minor but, fret would have to pipe in to confirm that.
Hope that gives you more ideas for choosing chords when your crafting a tune.
Last edited by allthumbs : August 21st, 2007 at 07:17 PM.
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