hawaii04 ... I'm glad you're enjoying the site.
For what it's worth, I've been playing for 46 years and I never really ever found scales very useful. If you're serious about your playing, you will need to know the major scale. It's the master scale that all others (the modes, which are just scales) are compared to, so if you really know it, the others are easy to see and understand. Having said that, in all my years of playing I've never consciously played a scale or mode in 'real' music. Real music is melody and harmony and those elements are always firmly embedded in the chords of whatever the tune is, so my advice to keep working away at chords. Do that so that you can play them as chords, but also so that you can use the notes that make up each chord as melodic building blocks. So see them as chords, and as clusters of single notes that can become melody with a bit of knowhow.
As Ben_Sir_Amos suggests, copy stuff you like, especially melody lines you like. Even the simplest of melodies are great to figure out, learn, perfect ... then forget if you want. It's the figuring out, the
listening, the imitation of the feel of the originals that's important. The more you can get those fingers to be limber and free to seek out notes you hear in your head and play them, the better. Eventually, it all starts to condense into a manageable, understandable and predictable set of rules ... what we call theory. There's nothing theoretical about it. There's a definite structure there with a zillion permutations to explore.
But, all the advice given here is good ... we all approach this beast called Music from different angles in order to tame it. Have fun, that's the main thing.
