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Forum Home > Guitar Lessons Forum > Kirk Lorange's Guitar Lessons > Finger-Style Lessons > Chord Melody

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Old February 28th, 2006
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Kirk Lorange Kirk Lorange is offline
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  Chord Melody



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Here's a look at the way to can create a melody not from single notes, but from a series of chords. I guess the best way of looking at this is that it's a four or five part harmony line.

I've used a fairly standard sounding set of blues/jazz chords in the key of E. I won't show the Roman NUmeral values for all of these chords as it's more confusing than helpful, but there'a a lot of 'majorizing' of the ususal minor chords going on, and the use of a couple of diminished 'passing chords', which you'll see in the movie indicated by the symbol 'o'.

The most difficult aspect of this lesson is switching chords so quickly. As always, the only way to master it is to take it slowly at first, even if it's dead slow. Let your fingers adapt to the changes, keep doing it and doing it until you don't need to think any more ... until the sequence is as familiar as walking around your own home. Even if you never play the lesson again, once you mastered it, it's still extremely valuable practice.

You'll see that I done this in two halves; the first half is series of four fingered plucks of each chord ... well, three fingers and the thumb. The tab will show you exactly which strings I pluck, but you'll see that they're all based of the chord shapes. The second half is an alternating bass / chord sequence using exactly the same shapes and chords. There are countless other combinations and 'feels' of course, there to be explored and exploited.

I called the fourth chord in the sequence a Bb diminished. It can also be called an E diminished, but for clarity I used the bass note as root. Diminished chords are odd in that the same chord repeats itself every 3 frets, meaning that there are really only 3 diminished chords out there. You'll notice another E dim chord near the end ... you could call that one Bb dim too.

Let's not get bogged in the diminished quagmire!

The B7, C# and F# chords use alternating bass notes, the tab and movie should be clear enough to show how this is done ... the F# is straight forward, the other two require a finger to move off one bass note and on to the other.

That's about all I can think of for this one! Have fun ...



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Forum Home > Guitar Lessons Forum > Kirk Lorange's Guitar Lessons > Finger-Style Lessons > Chord Melody


   Be sure to check out our Lesson Value Packs... and save yourself a heap of $$$
lesson packs
Buy the Hi-Res Pack 2 (15 hi-res Movie Lessons) for only $40.00 instead of $60.00 and Save $20!
Buy the Hi-Res Pack 1 (13 hi-res Movie Lessons) - only $35.00 instead of $50.00 Save $15!
Buy the Blues Pack (24 Blues/Country Blues/Jazz style Lessons) - only $40.00 instead of $50.00 Save $10!
Buy the Christmas Pack (13 Christmas Lessons) - only $25.00 instead of $50.00 Save $25!
Buy the Lo-Res Pack (50 lo-res Movie Lessons) - only $30.00 instead of $40.00 Save $10!



I'm also the author of PlaneTalk - The Truly Totally Different Guitar Instruction Book. The lesson that this book, slide-rule and DVD teach is the most powerful of all: the 'trick' to seeing the entire fretboard as friendly, familiar territory. If you're beyond the beginner stage -- you know your chords, scales, maybe even modes -- but you're still wondering how to turn it all into music, how to invent and improvise, how to access all the bits and pieces, then this is the book for you. You will also be able to join the private PlaneTalkers' Forum and discuss the simple visualization technique with me and many others. - Read more here .

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Plane Talk has torn down my mental blocks of guitar playing by its lucid presentation of fretboard landmarks. Finally I have points of reference from which I can "stray from home" and come back again - confident of where and why I am at a particular place on the fretboard. The concepts from the book come alive in the must-have companion video. Thanks Kirk!

    -- Jeff Meyer from Indiana, USA
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