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Originally Posted by randomaire
First one is more song like, the second is just some rhyme thrown together.
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Just a comment on your initial statement: In my first view of both, I'm drawn more by the second because because of the pictures in the mind you create with the song.
First, some comments on the first...
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Originally Posted by randomaire
How many times must I wonder?
How many times must I cry?
Living so softly
Living for you
Broken in two
My heart left on the floor
How many times must I wait?
How many times were you late?
Out at the club
At home all alone
Lost to you
My cries lost in the night.
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You lost me here somewhat because you began by talking about you, you began to talk about the girl, and then I
assumed you were talking about you again. This isn't necessarily bad, I'm just saying that it might not lose me if you stuck to talking about either you or her.
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Originally Posted by randomaire
Please come back to me
I'm begging you now
Waiting with arms open wide
I long for your touch
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You're saying that your heart is broken by this girl. Maybe you could give us some info here as to why?
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Originally Posted by randomaire
All this time
I wonder where you are
All this time
I wonder who you are
All this time
I am still here
Waiting
Waiting
For you....
How many lives should I lose tonight?
How many tears should I weep tonight?
The heart you took from me
The love you gave to me
In the darkness
I scream out your name.
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Very good emotional ride. The only comment I have is: how many lives??? Don't take me wrong, I am the first to want to use metaphors or esoteric meanings in my writing, but this one comes from left field...
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Originally Posted by randomaire
How many days had you been away?
How many nights I looked for you?
It must have been eleven
When I saw you on the news
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Any chance you could tell us more about what you saw on the news? That might help tie the story together as to why you're heart broken, or some sort of resolve regarding what happened to this girl and why you feel the way you do. In other words, you need a zinger here.
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Originally Posted by randomaire
All this time
I wonder where you are
All this time
I wonder who you are
All this time
I am still here
Waiting
Waiting
For you....
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Overall, a very nice and workable shell for a song. I think you could improve it by adding or maintaining some focus on what you're trying to say.
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Originally Posted by randomaire
Second one:
In the twilight.
The solemn moonlight.
The wind does blow.
The leaves fall low.
The fog surrounds.
The darkness abounds.
In the solemn hills.
The creaking of the windmill.
Eerie sounding.
Heartbeat pounding.
Footsteps nearing, loud.
Screaming aloud.
The sky, turning black.
Make a mistake, don't look back.
Run away, without sight.
To where there isn't any light.
Falling, rough, into the ground.
Pain, blinding, don't make a sound.
Turn and look, nothing there.
The past, dark and bare.
Run from it, never escape.
Screams, silent, your mouth agape.
Your past is your fright.
In the twilight.
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This is very intriguing to me. It starts out by describing the night sights. In the next stanza you start describing a different scene and sounds, and it seems to get more to the point of how you're feeling: anxious and afraid of something and someone. Next you make a nice description of the sky turning black, and that could really be the sky or it could be your minds eye. I like that. You continue to describe how this situation has made you run away, and you continue that in the last stanza. I think you wrap it up nicely by giving us the reason why you're running--you're running from your past, and you end the song where you began it--in the twilight.
Overall very nice. It intrigues me to the point that I wish I had the time to work with it.
But I think you could improve it by a couple of things: first, think about taking some of the simple rhymes, like blow and low, and work with those liines to either change the rhymes to near-rhymes or change the message--or not. I think the messages are great. If you change some lines please don't move away from the focus you've maintained throughout.
Nice job!
Steve