[Lcjones]

Originally Posted by starsailor

I read Tekkers lesson on recording and I'm going to set something up but I'm a bit nervous about posting a song in case everyone thinks it's rubbish but I suppose a lot of people have that fear of rejection. Once again thanks for getting back to me.

Cheers

Chris

Chris,

Tekker's got some great stuff!

I think if you read through the posts in the recording and song writing sections you'll not find *any* negativity at all. People will voice their opinions, offer advice ..... in the *spirit* of genuine helpfulness.

If you ask for an in depth critique, you will get one.

If you are going to write melodies and lyrics, the first hurdle you have to get passed is your own mental thoughts on "what will people think". This is what they will think. Some will think it stinks. Others will praise your abilities. Some will offer advice. Some will say nothing. Some will like it. Some won't like it.

So what.

In the final analysis, it's what you garner from what people say and offer. It's what you take away from it. It's up to you to learn from the information given. Getting offended or feeling like your work is not worthy is the worst thing you can do. All that does is stifle your abilities. Every writer had to start somewhere and with your background in poetry, it's not a far leap to lyric writing. Draw on your poetic days.

Lyric writing is hard work. Add melodies and it's that much harder!
But it is all worth it. Good, bad or indifferent, with each lyric you write you get better at writing a lyric.


Go, Team, Go! Sis, Boom, Bah!
**
LC

[Dewy]

On the Lyrics vs Melody first point I'd like to contribute. Indeed an age old question...

Neither came first... they are both out there floating around waiting for someone to pick them out and put them together. Sometimes you hear the melody or chord structure first... and apply lyrics later. Other times the lyrics are there waiting on your brain to process the timing and its applying the lyrics to various rhythms in the background all of the time.

So if you like something, be it lyric or melody, jot it down for future reference. Don't worry about the order.

[solidwalnut]

Originally Posted by jimmyhendrix

To LcJones, its sounds like you've been playing for a while, I have been playing for just over a year, and have been jamming with a few people recently, trying to create some good rock tunes (Incubus-band -sounding etc).
But I've been told by the drummer that because I create these songs by practicing by myself my rythm is not always right, especially on occasion when I go from verse to chorus or bridge etc., he sais I should keep everything in the 4 beat bar , he sais this is standard and that within those 4 beat bars I can do anything I like ,any advice?

Hey Jimmy--

I hope you don't mind me piping in. Just some input from another old timer.

I've been playing with bands for years as well as the solo thing. Playing with a drummer has made me conscious of what I'm doing as far as rhythmic counting.

I'm thinking your drummer is telling you that you often make chord switches too fast or too slow and so you're giving a measure 7 or 9 beats or such like that.

Like Les says, there's nothing wrong with playing solo and being off a beat here or there, but playing together and making the music sound great is what's important.

If you're interested in understanding how to play with strict beat count (and I really suggest that if you plan on playing with bands), starting spending some extra time with this drummer. Or go get a metronome and then understand the time signature of the song you're playing. If it's 4/4, then count out 4 beats and learn to switch chords 'on time'.

EDIT: One benefit of this (that I forgot to add) is that it really shows you how to 'play in the pocket' and get tight with the band.

Steve

[starsailor]

Originally Posted by Lcjones

Chris,

Tekker's got some great stuff!

I think if you read through the posts in the recording and song writing sections you'll not find *any* negativity at all. People will voice their opinions, offer advice ..... in the *spirit* of genuine helpfulness.

If you ask for an in depth critique, you will get one.

If you are going to write melodies and lyrics, the first hurdle you have to get passed is your own mental thoughts on "what will people think". This is what they will think. Some will think it stinks. Others will praise your abilities. Some will offer advice. Some will say nothing. Some will like it. Some won't like it.

So what.

In the final analysis, it's what you garner from what people say and offer. It's what you take away from it. It's up to you to learn from the information given. Getting offended or feeling like your work is not worthy is the worst thing you can do. All that does is stifle your abilities. Every writer had to start somewhere and with your background in poetry, it's not a far leap to lyric writing. Draw on your poetic days.

Lyric writing is hard work. Add melodies and it's that much harder!
But it is all worth it. Good, bad or indifferent, with each lyric you write you get better at writing a lyric.


Go, Team, Go! Sis, Boom, Bah!
**
LC

Thanks for the words of encouragement I've always been told that I worry too much about what people think but I'm getting better as I get older, I think it's because I'm stepping into the unknown a bit, I look on playing the guitar and songwriting as a new challenge which I need as I was getting a bit set in my ways, I've always loved listening to music but it has always been my ambition to create my own and I think I've wasted a lot of time and now it's time to get on with it.

Cheers

Chris

[windsong]

Chris
I take an idea (usually) my ifes experiences and come up with a title. Then the lyrics. I star with the words and with the cords at (almost) the same time. Need to find what cord matches my voice. So it's lyrics and cords coming together at the same time, plus my spirit and imagination. This seems to work best fro me and it keeps me on the same page too. Hope this helps.

windson

[Ellenback1]

Hardly, starsailor, would it be 'rubbish'...I've heard lots of songs in here and not once did anyone think they were rubbish....or, at least, no one said that, not to me..LOL Go ahead and take the leap, you'll feel better and even proud for being able to do so!

This is a great post, AT, honest! What I may take entirely for granted when I write has now been spelled out very clearly, by you, for everyone, although that last paragraph my eyes tended to go a little cross-eyed as I tried to follow you...but that's not YOUR fault, it's that dang method! LOL It's one of those re-read till ya get it kinda things, I'm hoping...

Elle

[starsailor]

Originally Posted by windsong

Chris
I take an idea (usually) my ifes experiences and come up with a title. Then the lyrics. I star with the words and with the cords at (almost) the same time. Need to find what cord matches my voice. So it's lyrics and cords coming together at the same time, plus my spirit and imagination. This seems to work best fro me and it keeps me on the same page too. Hope this helps.

windson

Hi windsong, thanks for the tips, I usually write a song and then find a tune or vice versa, I haven't ever written and composed as I've written, the latest one I'm working on is going along those lines and it is a good way of doing it, it takes a bit longer but it does seem to orrk better than trying to squeeze words into an existing tune, sometimes words have to be changed which can dilute the song and lose the message.

Originally Posted by Ellenback1

Hardly, starsailor, would it be 'rubbish'...I've heard lots of songs in here and not once did anyone think they were rubbish....or, at least, no one said that, not to me..LOL Go ahead and take the leap, you'll feel better and even proud for being able to do so!

Hi Ellen good to hear from you, thanks for the support, I wrote that a while back but my confidence has grown a bit since then although I still tend to hang back a bit when it comes to recording but I am better at accepting a critique than I used to be I was never very good at that, this site and the Members have helped my confidence quite a lot. Hope you're well Ellen.

Elle

[RickysSchoolOfRock]

Hi Guys first posting! I thought i'd add my tuppence worth

I've found it quite interesting to try and use other less visited and ancient structures when composing songs to build a bigger picture of what i'm trying to express. Just as a song should have a beginning/middle and end, my idea is that a collection of pieces (an album or a set of songs) should have structure also.

Other less common song forms you could utilise are the rondo ABACADA (you return to a common theme to give the listener a foundation and comfortable reference point) and through composed which is different in each section ABCDEF(challenging but fun!). In blues the 8 bar and 16 bar forms are overlooked greatly in favour of the 12 bar.

As part of how you might construct the bigger picture (the album!) you could compose in Sonata form for instance. This has a complex structure and would take some time to dissect properly, but basically you have :-

1 - 1st movement - main theme or exposition (think song 1)
2 - The development - this harks back to the 1st movt but could be different in meter/rhythm/key/tonality and where new ideas/episodes are introduced (song 2)
3 - Recapitulation - the recap back to song 1 but you could essentially change the tonality and transpose the melody from major to minor or vice versa. End this with a coda which could be purely instrumental and more improvised. (song 3)

Thats just 1 idea for a structure to challenge yourself. You could use it loosely and not be too strict about the form. Other bigger forms to look at are suites, opera, partitas and the symphony! These structures are there to base ideas on, and in reality we can pull them around, chop bits off, add cadenzas etc...

There is a wealth of musical riches prior to the 20th century that could inspire your grandest pop opus. The bigger picture is the artists goal, not just the detail. Be brave and stretch the boundaries.

In this age of the "ipod on shuffle" its so easy to forget the dynamic of an album and how each piece relates to the last. Your work as a whole is the ultimate goal at the end of the day...erm, unless you just want to play a strophic/12 bar tune, (That's cool too!).

Cheers for reading

[paperdice]

i didnt even know this and ive been writing songs