then I suppose my entire understanding of music theory is broken.
How can music that uses chord progressions within a key NOT be tonal?
If modal music isn't music born out of modal chord progressions, what on earth IS it?
in what way can't modal scales make improvisation more interesting?
nothing you've said so far makes much sense to me.
Music is everybody's possession. It's only publishers who think that people own it.
-John Lennon
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