Ok, I've always had a lot of trouble improvising solos in a major key, not exactly sure why, and therein may lie a clue or answer... but thats not the point of this post.
I would like to pick the collective mind of this forum and look at "Major Improv" in the new found light of the chord tone approach, and find myself falling flat. Admittedly I have not yet purchased the
Plane Talk Dvd yet, but have and excellent opportunity to apply the concept.
Our band has taken to learn a few new (to us) songs, and a song very much like "Never Been to Spain" came up. To call it learned my first task was to work out the chord changes, and we've all run through it. Next time up I'll want a basic Idea of how I am going to approach any guitar solos, and as we are a 3 piece (bass, drum, guitar) I am always working to fill the holes in the solo.
With this song, I need to keep dynamic up in a rolling tune based around the Amaj, Emaj, Amaj, Emaj, Bmaj, Amaj, Emaj, background.
I've tried "Chirping" the chords high on the neck and playing licks out of the chord shape... nothing I'd like to call finished... and no real noteworthy solo in the song to borrow ideas from.
I'll see what I can do about giving some samples as we're doing it live Friday and Saturday night... and we try to record for review. I might can edit just the solo portion and host it here... or elsewhere... and post "improved" versions as it comes along.
Any Ideas?
Remember, wherever you go... there you are.